Playback, an interview with Robert Jonnum (page 2 of 3)

Is it important for the band to receive recognition outside of Norway?

“Norway is a small outpost of this world, so we have no choice but to consider the possibility that our music might be interesting to some of you out there. There are not many places to play in Norway, so it's been great to play for enthusiastic audiences around Europe. And most of our inspirations come from abroad, so it's natural to relate to the world outside.”

You record at home on an 8-track. How do you find the restrictions of this set-up affects the results?

“Actually only 7 of those tracks work. The limitations demand that we cut down to what is essential when we record. I think this fits our music perfectly, and it certainly helps us to quit in time.”

Do you find yourselves working more creatively to push the facilities to their limit?

“We've always pushed our equipment. Most of [debut album] Film and Happy To Get Her [the recent mini-lp] were recorded on a 4-track cassette recorder.”

How would the band work differently if you had a full studio at your disposal?

“Possibly, the situation with cheap and few instruments and recording equipment, has contributed to the way we think in terms of music. So I think working any other way is not really an option. Besides, we love the sound of old analogue equipment.”

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